SELECTED PRESS:

“THE ARTIST PAINTS ABSTRACTLY, AND HE DOES IT SPLENDIDLY. THE PAINTING’S ARCHITECTURE RECALLS CELESTIAL PHENOMENA SUCH AS GALAXIES AND SUPERNOVAS. ..ULTIMATELY THE EFFECT IS POETIC AND SPIRITUAL.”

EDWARD SOZANSKI, PHILADELPHIA INQUIRER, MAY, 2002

“HIS CLOUDLIKE ABSTRACT PAINTINGS ARE FILLED WITH LYRICAL PASSION. ..EADS’ WORKS OFFER GLIMPSES INTO A TRULY UNIQUE WORLD VISION. ..HE IS CONCERNED WITH THE EPHEMERAL NATURE OF PURE ENERGY. ..AS VIRTUAL WORLD ART THEORISTS WAX ELOQUENT ON CULTURAL BIAS, LINGUSTICS, AND OTHER POSTMODERNIST CONUNDRUMS, THEY MISS THE TRUE NATURE OF ART. EADS IS A TRANSCULTURAL AND TRANSCENDENTAL ARTIST”

WESLEY PULKKA, ALBUQUERQUE JOURNAL, JUNE, 2005

“HE ADEPTLY BLENDS ELEMENTS FROM ROMANTIC STORMY SKY FORMS WITH CRYSTALLINE SHAPES THAT EXUDE LIGHT AND ALTER SPATIAL RELATIONSHIPS. ..EADS’ PAINTINGS CONTAIN LIGHT SEEDS WHICH MANIFEST FORM, AND THEY ARE DEFINITELY LUMINOUS.”

WESLEY PULKKA, ALBUQUERQUE JOURNAL, MAY, 1999

“EADS’ IMAGE HAS BEEN ADOPTED BY THE PHILADELPHIA CATHEDRAL AS THE INSPIRATION OF IT’S MINISTRY,

AND TO THE CITY AROUND IT”

DIRECTOR, PHILADELPHIA CATHEDRAL PRESS RELEASE FOR THE FRONTISPIECE OF THE RENOVATED CATHEDRAL, UNIVERSITY REVIEW, UNIVERSITY OF PENNSYLVANIA, 2001

“THE ARTIST EXHIBITS COMPELLING, LUMINOUS CANVASSES. MOST OF THE PAINTS HE USES ARE HAND GROUND GIVING HIM CONTROL OVER TRANSLUCENCY, KEEPING CLARITY AND SPIRITUAL MOVEMENT IN CONFLUENCE WITH THE MATERIALS”

WILLIMA MORENO, CURATOR, MEXICAN MUSEUM, SAN FRANCISCO, 2000